Post Description

Met dank aan de originele posters indien het niet door mij geript is...
Thanks to the original posters if not ripped by myself...

This is an accurate rip...

01 - Celeste - Woman of Faces - On with the Show.flac 
02 - Celeste - Woman of Faces - Keep Smiling.flac 
03 - Celeste - Woman of Faces - Woman of Faces.flac 
04 - Celeste - Woman of Faces - Happening Again.flac 
05 - Celeste - Woman of Faces - Time Will Tell.flac 
06 - Celeste - Woman of Faces - People Always Change.flac 
07 - Celeste - Woman of Faces - Sometimes.flac 
08 - Celeste - Woman of Faces - Could Be Machine.flac 
09 - Celeste - Woman of Faces - This Is Who I Am.flac 
10 - Celeste - Woman of Faces - Angel Like You.flac 
11 - Celeste - Woman of Faces - Carmen's Song.flac 
991 - auCDtect.log 
991 - Lossless Audio Checker.log 
992 - AccurateRip.log 
994 - Woman Of Faces [ Deluxe CD ].log 
999 - cover.jpg 
999 - Discogs Downloaded Cover 01.jpg 
999 - Discogs Downloaded Cover 02.jpg 
999 - Discogs Downloaded Cover 03.jpg 
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Celeste - Could Be Machine.lrc 
Celeste - Happening Again.lrc 
Celeste - Keep Smiling.lrc 
Celeste - On with the Show.txt 
Celeste - People Always Change.lrc 
Celeste - Sometimes.lrc 
Celeste - This Is Who I Am.txt 
Celeste - Time Will Tell.lrc 
Celeste - Woman of Faces.txt 
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Oor Review ---------------------Willem Jongeneelen 13 november 2025  album soul/r&b Celeste Woman Of Faces POLYDOR/UNIVERSALDe Britse soulzangeres Celeste (31) bezit een stem die je kan doen huilen, ook al zingt ze over de verstuikte pink van haar kleine nichtje.Vanaf de eerste seconde dat ik die stem hoorde (in de single Strange, voorloper van haar debuut Not Your Muse uit 2021), was ik lek geprikt en kon je me bij elkaar dweilen.Ook op opvolger Woman Of Faces barst het van de bijna huilend en met veel pathos gezongen tranentrekkers.Het zijn niet echt standaard ballads, maar als Celeste eenmaal met haar rauw-hese, licht overslaande stem haar persoonlijke relaas over je uitstort, ben je verkocht.Een beetje pianobegeleiding is eigenlijk vaak al genoeg, al wordt er hier ook regelmatig grotesk met strijkers uitgepakt.Die dynamiek, en vooral soms de daarmee gepaard gaande bombast, doet soms afbreuk aan de dramatiek.Die komt juist krachtiger binnen als Celeste het klein, subtiel en ingetogen houdt, zoals in de eerste noten van die prachtige titelsong.De klank is helder, krachtig en warm.Dat kun je ook wel overlaten aan topproducer Jeff Bhasker (Kanye West, Mark Ronson, Harry Styles).Keep Smiling, zingt ze elders zachtjes, een keer niet jankend, maar dat valt niet mee.Het is me ook allemaal wat, al die lastige relaties, en dat jezelf steeds in de weg zitten.Celeste heeft het hier vooral moeilijk met zichzelf.Half huilend, half vertellend zingt ze wie ze is.This Is Who I Am.Ze is simpelweg een van de meest getalenteerde, dramatische zangeressen van deze eeuw.Het advies: gedoseerd ondergaan, dit album, het is emotioneel nogal veel van hetzelfde.Een wereldster van buitengewone klasse blijft ze, het is alleen doodjammer dat er opnieuw iets te weinig uptempo (soul)tracks op de plaat staan.Want ook daarin is Celeste een kei.En het tussendoor wat losschudden van de heupen had iets van al dat leed soms wat kunnen helpen verzachten.Exystence Review ---------------Celeste – Woman of Faces (Deluxe Edition) (2025)Filed Under: jazz, pop, soul by exy — Leave a commentNovember 16, 2025Deluxe CD includes two additional tracks ‘Angel Like You’ and ‘Carmen’s Song’.In theory, the making of Celeste’s second album should have been plain sailing. Boosted by a win in the BBC Sound of 2020 poll, and her single ‘A Little Love’ appearing on the John Lewis Christmas ad the same year, her debut album Not Your Muse entered the charts at No 1, spawned two big hits – ‘Stop This Flame’ and ‘Strang’e – and ultimately went gold. That’s the perfect starting place from which to make a second album: success, acclaim and attention, but not on the kind of overwhelming scale that seems ultimately paralysing, where it’s impossible to work out how you can follow it up.And yet, the making of Woman of Faces has clearly been attended by some difficulty.Celeste has talked openly about butting heads with its producer, Jeff Bhasker, whose hugely impressive CV includes work with Harry Styles, Taylor Swift and Kanye West: she commissioned string arrangements from British composer and conductor Robert Ames, but Bhasker “didn’t let me use [them]”. Last month, she was on Instagram, protesting that her label was showing “very little support of the album I have made” and had threatened to drop her entirely if she “didn’t put two particular songs” on its track list. This accusation caused a certain degree of eyebrow-raising, not least because Celeste is signed to the same label that singer Raye complained about in 2021, insisting they had refused to allow her to release a debut album: Raye subsequently left the label, released the album herself to vast success and noted that record companies might be better served allowing artists to “always create with a sense of purpose, rather than the means to sell”.It’s hard not to think of that remark when you listen to Woman of Faces. It’s far from a fanbase-confounding left turn – a Metal Machine Music for the jazz-inflected pop-soul set – but nor is it hugely commercial. Its sound manages to be both sumptuous and stark. Its opulence results from its orchestrations and modern classical flourishes – the piano introduction to People Always Change is a dead ringer for Opening, the first movement of Philip Glass’s 1981 chamber piece Glassworks. But there’s something austere about it, too. Its emotional tone is sombre; songs deal with the societal pressures placed on women and the deleterious effect of technology on our lives, and the overwhelming theme is the fallout from a broken relationship. The pace is glacial and there is an almost complete absence of drums: aside from a brief rattle of martial snare during On With the Show, the first time a rhythm track appears is on the penultimate song, Could Be Machine, a brief and joltingly uncharacteristic explosion of fizzing electronics and stomping double-time beats with a lyric that you could interpret as being about anonymous trolls, social media bots, AI or all three (whichever it is, Celeste is very much not in favour).Sombre, glacial, austere: it’s not an easy sell, and it’s unquestionable that the music on Woman of Faces often feels at one remove from the rest of mainstream pop. You can draw a line between Time Will Tell and the darkest ballads in Amy Winehouse’s catalogue, but the album’s contents frequently sound closer to prewar vocal jazz, the French chanson réaliste tradition and the stuff of the old-fashioned West End showstopper than anything from the 21st century. It’s not hard to imagine Keep Smiling floating from the jazz clubs of New York’s 52nd Street. On With the Show takes a theme that runs through modern pop from Gene Pitney’s 1966 hit Backstage to Taylor Swift’s I Can Do It With a Broken Heart – the performer putting a brave face on their misery – and returns it to the wings of the London Palladium.It says a great deal about how potent and beautiful these songs are that they never sound like genre pastiche: the pace at which they proceed works with Celeste’s voice, giving her room to display its nuances, her command of phrasing and enunciation, her ability to gradually build from something close to a whisper to full power and push her vocal to a point where it feels it might break, before pulling back. — GuardianDiscogs Information ------------Packaged in a glossy 6-panel card wallet, with alternate artwork and fold-out poster insert. Hype sticker to front of original sealed copies.© â?? 2025 Universal Music Operations Limited